In today's sound design journey we are going to look at creating a analog techno bass in Massive X. The sound has been influenced by the classic synths like the Moog Minimoog, Roland sh101 and the Jupiter 8
This bass sound is perfect for anyone wants to learn Melodic Techno, Deep Tech, Rolling Techno and darker tech-house.
What you will learn in this techno music production tutorial is:
Sound Design
Massive X
Audio Processing
Routing
In this tutorial, we are going to look at how to beef up our drum loops and samples using Ableton’s stock audio effects.
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So far we have looked at synthesising kicks and snares now in the latest blog post in this drum synthesis series we are going to look at creating a clap with operator.
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Kick Drum samples are great but you can on can only push and adapt them so far. If you change the pitch to much you can lose the tonality of it. So if you are looking to have full control over your kick drums then maybe you need to think about synthesizing them.
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Samples are an amazing source of inspiration but the fact is everyone who buys the pack has access to the same set of sounds, so the question is how do you go about making those sounds your own. Well in the blog post we will show you a selection of ways to do that.
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At Mind Flux we always like to find ‘odd” samples and turn them into something completely different by doing this you can ensure that you have something original to work with.
In this example we will be taken Britney Spears “One More Time” vocal and turning it into a raw bass preset. To do this we will be using Native Instruments highly impressive Form.
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More often than not in your music you will want to create harmony, that can be done via layering notes in your piano roll or adding a extra synth or vocal layers using a different note. This is all great but what happens when you want something a little more outlandish.
Well we have the solution, a grain harmonizer. In the tutorial we will use Ableton’s other worldly grain delay to create a more unique way of adding harmony to your music.
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In this blog post, we are going to have a look at mixing Dark Techno drums using only Ableton Live 10 stock audio effects. And by the end of it, you will see that is all you need to create slamming techno drums
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Techno and especially dark techno are synonymous with experimentation and pushing the boundaries of sound. And in this article, we are going to show you 5 ways you can use the stock Ableton audio effects to create raw, edgy dark techno productions.
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In this latest blog post we are going to be exploring how to create a rusty down right dirty chord that is perfect for Dark Techno. To create this dark techno chord we will be using Ableton’s gargantuan new synth Wavetable as well as a selection of Ableton stock midi and audio effects. Wavetable is the perfect synth for Dark Techno sound design as you have a huge selection of wavetables to choose from and all can be easily manipulated and morphed.
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When creating dark techno sounds you can throw the rule book out the window. Most engineering books will say not to use time-based (delay and reverb) effects on low-end sounds but in techno, we say F that. So let's start breaking the rules.
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From time to time there will be situations when working with audio that its essential that you control the mid and side signals separately, yes you can do this with the EQ in M/S mode but what happens if you want to go beyond just a simple EQ. Well in this article we are going to show you how.
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If your trying to inject a sense of pace to your tracks adding in some shuffling hi hats, tambourines or shakers could be the way to go. There are many ways to achieve this but in this tutorial we are going to be using a delay unit to achieve this and specifically Ableton Live’s filter delay which give you the ability to have 3 delay channels.
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An EQ splitter is a very very useful tool which can allow you to split your frequency bands and add individual processing to each of these bands. In this blog post we are going be looking at how to set this up in Ableton Live 10 using the audio racks.
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